Here is one from Rita Dove

Exit

Just when hope withers, the visa is granted. 
The door opens to a street like in the movies, 
clean of people, of cats; except it is your street 
you are leaving. A visa has been granted, 
"provisionally"-a fretful word. 
The windows you have closed behind 
you are turning pink, doing what they do 
every dawn. Here it's gray. The door 
to the taxicab waits. This suitcase, 
the saddest object in the world. 
Well, the world's open. And now through 
the windshield the sky begins to blush 
as you did when your mother told you 
what it took to be a woman in this life.

Another from The Poetry of Arab Women

by Thérèse 'Awwad, translated by Kamal Boullata

My loneliness
ages like wine.

I arrest it
between parentheses
bridle it
together with the tumult
paste doubt to it,
question marks...
Meanwhile,
leaning against the pulsing surge
               of the rain
I make love
to that hunger
deep within.

Sitting with T reading The Poetry of Arab Women and I found...

Amal Moussa, translated by Khaled Mattawa

Love Me

I carry me on my fingertips.
I carry me on the galloping of my vision.
I wrap myself with a swaddling of my skin.
I embrace me longing for myself.
I bless my flowing, my gushing.
I cradle me in my chest.
I glove these budding hands with poetry.
I claim revelation,
my engravings are on stone.
My image carries water to thirst,
and bait to fishermen's nets.
I spend the time of the tolling
of evening bells
sculpting.
I sleep in my own shade.
I wear my Bedouin nature
to spite cities.

I stroll within me
when I weary myself.
I enter a garden
that does not entice myself against me.
I love my impossible self,
the one whose feet
the earth does not know.

Here's a poem from Matthea Harvey's Sad Little Breathing Machine.

Life-Size is What We Are

(A New History of Photography)

Selflessly the self gave it all away.

Pin all yr hopes, lay all yr love, etc.

Which means the fish that live

in a plastic bag think the edges

of the world pucker. It's one thing to

make an image. It's two things to find one.

Why weren't me mindful of the lady

behind the makeup counter, calling,

"Come here honey, let me give you

some eyes"? The laws were sunsetting.

One puff of smoke rose in the minefield.

People dragged their shadows along.

I'm here to tell you that you're not.

Surprise, darling, surprise.

I've spent a lot of time on trains this weekend

and these days they make me think of this nazim hikmet poem...


Things I didn't know I loved

It's 1962 March 28th
I'm sitting by the window on the Prague-Berlin train
night is falling
I never knew I liked
night descending like a tired bird on a smoky wet plain
I don't like
comparing nightfall to a tired bird

I didn't know I loved the earth
can someone who hasn't worked the earth love it
I've never worked the earth
it must be my only Platonic love

and here I've loved rivers all this time
whether motionless like this they curl skirting the hills
European hills crowned with chateaus
or whether stretched out flat as far as the eye can see
I know you can't wash in the same river even once
I know the river will bring new lights you'll never see
I know we live slightly longer than a horse but not nearly as long as a crow
I know this has troubled people before
and will trouble those after me
I know all this has been said a thousand times before
and will be said after me

I didn't know I loved the sky
cloudy or clear
the blue vault Andrei studied on his back at Borodino
in prison I translated both volumes of War and Peace into Turkish
I hear voices
not from the blue vault but from the yard
the guards are beating someone again
I didn't know I loved trees
bare beeches near Moscow in Peredelkino
they come upon me in winter noble and modest
beeches are Russian the way poplars are Turkish
"the poplars of Izmir
losing their leaves. . .
they call me The Knife. . .
lover like a young tree. . .
I blow stately mansions sky-high"
in the Ilgaz woods in 1920 I tied an embroidered linen handkerchief
to a pine bough for luck

I never knew I loved roads
even the asphalt kind
Vera's behind the wheel we're driving from Moscow to the Crimea
                                                         Koktebele formerly "Goktepé ili" in Turkish
the two of us inside a closed box
the world flows past on both sides distant and mute
I was never so close to anyone in my life
bandits stopped me on the red road between Bolu and Geredé
when I was eighteen
apart from my life I didn't have anything in the wagon they could take
and at eighteen our lives are what we value least
I've written this somewhere before
wading through a dark muddy street I'm going to the shadow play
Ramazan night
a paper lantern leading the way
maybe nothing like this ever happened
maybe I read it somewhere an eight-year-old boy
going to the shadow play
Ramazan night in Istanbul holding his grandfather's hand
his grandfather has on a fez and is wearing the fur coat
with a sable collar over his robe
and there's a lantern in the servant's hand
and I can't contain myself for joy
flowers come to mind for some reason
poppies cactuses jonquils
in the jonquil garden in Kadikoy Istanbul I kissed Marika
fresh almonds on her breath
I was seventeen
my heart on a swing touched the sky
I didn't know I loved flowers
friends sent me three red carnations in prison

I just remembered the stars
I love them too
whether I'm floored watching them from below
or whether I'm flying at their side

I have some questions for the cosmonauts
were the stars much bigger
did they look like huge jewels on black velvet
or apricots on orange
did you feel proud to get closer to the stars
I saw color photos of the cosmos in Ogonek magazine now don't
be upset comrades but nonfigurative shall we say or abstract
well some of them looked just like such paintings which is to
say they were terribly figurative and concrete
my heart was in my mouth looking at them
they are our endless desire to grasp things
seeing them I could even think of death and not feel at all sad
I never knew I loved the cosmos

snow flashes in front of my eyes
both heavy wet steady snow and the dry whirling kind
I didn't know I liked snow

I never knew I loved the sun
even when setting cherry-red as now
in Istanbul too it sometimes sets in postcard colors
but you aren't about to paint it that way
I didn't know I loved the sea
except the Sea of Azov
or how much

I didn't know I loved clouds
whether I'm under or up above them
whether they look like giants or shaggy white beasts

moonlight the falsest the most languid the most petit-bourgeois
strikes me
I like it

I didn't know I liked rain
whether it falls like a fine net or splatters against the glass my
heart leaves me tangled up in a net or trapped inside a drop
and takes off for uncharted countries I didn't know I loved
rain but why did I suddenly discover all these passions sitting
by the window on the Prague-Berlin train
is it because I lit my sixth cigarette
one alone could kill me
is it because I'm half dead from thinking about someone back in Moscow
her hair straw-blond eyelashes blue

the train plunges on through the pitch-black night
I never knew I liked the night pitch-black
sparks fly from the engine
I didn't know I loved sparks
I didn't know I loved so many things and I had to wait until sixty
to find it out sitting by the window on the Prague-Berlin train
watching the world disappear as if on a journey of no return

April 1962, Moscow

I was reading through the Journal of the American Medical Association today

and came across this quote from D.H.Lawrence (1885-1930) (line
breaks from the original prose as I read them in my mind)
I would name it:


In the old skin

Sometimes snakes can't slough.
They can't burst their old skin.
Then they go sick
and die inside the old skin,
and nobody ever sees
the new pattern.

It needs a real desperate recklessness
to burst your old skin at last.
You simply don't care what happens to you,
if you rip yourself in two,
so long as you do get out.
It also needs a real belief in the new skin.

Otherwise you are likely never to make that effort.
Then you gradually sicken
and go rotten and die
in the old skin.

This is not a poem, but here's a sweet passage from the Little Prince:

"You are beautiful, but you are empty," he went on. "One could not die
for you. To be sure, an ordinary passerby would think that my rose
looked just like you--the rose that belongs to me. But in herself
alone she is more important than all the hundreds of you other roses:
because it is she that I have watered; because it is she that I have
put under the glass globe; because it is for her that I have killed
the caterpillars (except the two or three we saved to become
butterflies); because it is she that I have listened to, when she
grumbled, or boasted, or even sometimes when she said nothing. Because
she is my rose."

from Brian Patten...fitting for you all to find when you wake tomorrow

when you wake tomorrow

 

I will give you a poem when you wake tomorrow.
It will be a peaceful poem.
It won’t make you sad.
It won’t make you miserable.
It will simply be a poem to give you
When you wake tomorrow.

It was not written by myself alone.
I cannot lay claim to it.
I found it in your body.
In your smile I found it.
Will you recognise it?

You will find it under your pillow.
When you open the cupboard it will be there.
You will blink in astonishment,
Shout out, ‘How it trembles!
Its nakedness is startling! How fresh it tastes!’

We will have it for breakfast;
On a table lit by loving,
At a place reserved for wonder.
We will give the world a kissing open
When we wake tomorrow.

We will offer it to the sad landlord out on the balcony.
To the dreamers at the window.
To the hand waving for no particular reason
We will offer it.
An amazing and most remarkable thing,
We will offer it to the whole human race
Which walks in us
When we wake tomorrow. 

a favorite of mine, by mary oliver

the summer day

who made the world?
who made the swan, and the black bear?
who made the grasshopper?
this grasshopper, I mean --
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down --
who is gazing around with her enormous and complicated eyes.
now she lifts her pale forearms and thoroughly washes her face.
now she snaps her wings open, and floats away.
i don't know exactly what a prayer is.
i do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what i have been doing all day.
tell me, what else should i have done?
doesn't everything die at last, and too soon?
tell me, what is it you plan to do 
with your one wild and precious life?

To be read aloud --

If something should happen

for instance

if the sea should break

and crash against the decks

and below decks break the cargo

against the sides of the sea

or

if the chains should break

and crash against the decks

and below decks break the sides

of the sea

or 

if the seas of cities

should crash against each other

and break the chains

and break the walls holding down the cargo

and break the sides of the seas

and all the waters of the earth wash together

in a rush of breaking

where will the captains run and

to what harbor?

               --Lucille Clifton, Good Times (1969)

I offer a poem by Wallace Stevens

Of the Surface of Things

In my room, the world is beyond my understanding;
But when I walk I see that it consists of three or four
hills and a cloud.

From my balcony, I survey the yellow air,
Reading where I have written,
"The spring is like a belle undressing."

The gold tree is blue.
The singer has pulled his cloak over his head.
the moon is in the folds of the cloak.

one by Rumi, translation by Ladinsky

I
like when
the music happens like this

Something in His eye grabs hold of a
tambourine in
me,

then I turn and lift a violin in someone else, 
and they turn, and this turning
continues;

it has
reached you now.  Isn't that
something?

here's some nizar kabbani for you...imagine bassam reading it seductively:

Oh traveler,
After ten years,
Your are still
Like a spearhead in my side

A haiku

A new year delights
Soul nourishing poetry
Shared with friends, and birthed.

it's a blue true dream of sky kind of day here in berkeley and this poem never ceases to delight me

i thank You God for most this amazing (e.e. cummings)

i thank You God for most this amazing

day:for the leaping greenly spirits of trees
and a blue true dream of sky; and for everything
which is natural which is infinite which is yes

(i who have died am alive again today,
and this is the sun's birthday; this is the birth
day of life and of love and wings: and of the gay
great happening illimitably earth)

how should tasting touching hearing seeing
breathing any--lifted from the no
of all nothing--human merely being
doubt unimaginable You?

(now the ears of my ears awake and
now the eyes of my eyes are opened)