This morning, I am thinking of Travyon Martin. I am thinking of
Shaima Alawadi. I am thinking of Tyler Clemnti. I am thinking of
countless heartbreaking moments that change families' lives forever
and never make the news.
In the Storm of Roses by Ingeborg Bachman
Wherever we turn in the storm of roses,
thorns illuminate the night. And the thunder
of a thousand leaves, once so quiet on the bushes,
is right at our heels.
poetree & poeteeb
a daily happening, a sustenance. share a familiar well-loved poem, something recently stumbled upon, or something newly written... who's in?
Sunday, March 25, 2012
Tuesday, February 7, 2012
because i haven't been so great about keeping up, i am sharing a poem about what is "down near the bottom/of the crossed-out list/of things" i had to do today...
i hope sunlight is on all of your lists.
The Word
The Word
Down near the bottom of the crossed-out list of things you have to do today, between "green thread" and "broccoli" you find that you have penciled "sunlight." Resting on the page, the word is as beautiful, it touches you as if you had a friend and sunlight were a present he had sent you from some place distant as this morning -- to cheer you up, and to remind you that, among your duties, pleasure is a thing, that also needs accomplishing Do you remember? that time and light are kinds of love, and love is no less practical than a coffee grinder or a safe spare tire? Tomorrow you may be utterly without a clue but today you get a telegram, from the heart in exile proclaiming that the kingdom still exists, the king and queen alive, still speaking to their children, - to any one among them who can find the time, to sit out in the sun and listen.
-- Tony Hoagland
Monday, January 23, 2012
Here is one from Rita Dove
Exit
Just when hope withers, the visa is granted.
The door opens to a street like in the movies,
clean of people, of cats; except it is your street
you are leaving. A visa has been granted,
"provisionally"-a fretful word.
The windows you have closed behind
you are turning pink, doing what they do
every dawn. Here it's gray. The door
to the taxicab waits. This suitcase,
the saddest object in the world.
Well, the world's open. And now through
the windshield the sky begins to blush
as you did when your mother told you
what it took to be a woman in this life.
Just when hope withers, the visa is granted.
The door opens to a street like in the movies,
clean of people, of cats; except it is your street
you are leaving. A visa has been granted,
"provisionally"-a fretful word.
The windows you have closed behind
you are turning pink, doing what they do
every dawn. Here it's gray. The door
to the taxicab waits. This suitcase,
the saddest object in the world.
Well, the world's open. And now through
the windshield the sky begins to blush
as you did when your mother told you
what it took to be a woman in this life.
Sunday, January 22, 2012
Another from The Poetry of Arab Women
by Thérèse 'Awwad, translated by Kamal Boullata
My loneliness
ages like wine.
I arrest it
between parentheses
bridle it
together with the tumult
paste doubt to it,
question marks...
Meanwhile,
leaning against the pulsing surge
of the rain
I make love
to that hunger
deep within.
My loneliness
ages like wine.
I arrest it
between parentheses
bridle it
together with the tumult
paste doubt to it,
question marks...
Meanwhile,
leaning against the pulsing surge
of the rain
I make love
to that hunger
deep within.
Sitting with T reading The Poetry of Arab Women and I found...
Amal Moussa, translated by Khaled Mattawa
Love Me
I carry me on my fingertips.
I carry me on the galloping of my vision.
I wrap myself with a swaddling of my skin.
I embrace me longing for myself.
I bless my flowing, my gushing.
I cradle me in my chest.
I glove these budding hands with poetry.
I claim revelation,
my engravings are on stone.
My image carries water to thirst,
and bait to fishermen's nets.
I spend the time of the tolling
of evening bells
sculpting.
I sleep in my own shade.
I wear my Bedouin nature
to spite cities.
I stroll within me
when I weary myself.
I enter a garden
that does not entice myself against me.
I love my impossible self,
the one whose feet
the earth does not know.
Love Me
I carry me on my fingertips.
I carry me on the galloping of my vision.
I wrap myself with a swaddling of my skin.
I embrace me longing for myself.
I bless my flowing, my gushing.
I cradle me in my chest.
I glove these budding hands with poetry.
I claim revelation,
my engravings are on stone.
My image carries water to thirst,
and bait to fishermen's nets.
I spend the time of the tolling
of evening bells
sculpting.
I sleep in my own shade.
I wear my Bedouin nature
to spite cities.
I stroll within me
when I weary myself.
I enter a garden
that does not entice myself against me.
I love my impossible self,
the one whose feet
the earth does not know.
Friday, January 20, 2012
Here's a poem from Matthea Harvey's Sad Little Breathing Machine.
Life-Size is What We Are
(A New History of Photography)
Selflessly the self gave it all away.
Pin all yr hopes, lay all yr love, etc.
Which means the fish that live
in a plastic bag think the edges
of the world pucker. It's one thing to
make an image. It's two things to find one.
Why weren't me mindful of the lady
behind the makeup counter, calling,
"Come here honey, let me give you
some eyes"? The laws were sunsetting.
One puff of smoke rose in the minefield.
People dragged their shadows along.
I'm here to tell you that you're not.
Surprise, darling, surprise.
I've spent a lot of time on trains this weekend
and these days they make me think of this nazim hikmet poem...
Things I didn't know I loved
It's 1962 March 28th
I'm sitting by the window on the Prague-Berlin train
night is falling
I never knew I liked
night descending like a tired bird on a smoky wet plain
I don't like
comparing nightfall to a tired bird
I didn't know I loved the earth
can someone who hasn't worked the earth love it
I've never worked the earth
it must be my only Platonic love
and here I've loved rivers all this time
whether motionless like this they curl skirting the hills
European hills crowned with chateaus
or whether stretched out flat as far as the eye can see
I know you can't wash in the same river even once
I know the river will bring new lights you'll never see
I know we live slightly longer than a horse but not nearly as long as a crow
I know this has troubled people before
and will trouble those after me
I know all this has been said a thousand times before
and will be said after me
I didn't know I loved the sky
cloudy or clear
the blue vault Andrei studied on his back at Borodino
in prison I translated both volumes of War and Peace into Turkish
I hear voices
not from the blue vault but from the yard
the guards are beating someone again
I didn't know I loved trees
bare beeches near Moscow in Peredelkino
they come upon me in winter noble and modest
beeches are Russian the way poplars are Turkish
"the poplars of Izmir
losing their leaves. . .
they call me The Knife. . .
lover like a young tree. . .
I blow stately mansions sky-high"
in the Ilgaz woods in 1920 I tied an embroidered linen handkerchief
to a pine bough for luck
I never knew I loved roads
even the asphalt kind
Vera's behind the wheel we're driving from Moscow to the Crimea
Koktebele formerly "Goktepé ili" in Turkish
the two of us inside a closed box
the world flows past on both sides distant and mute
I was never so close to anyone in my life
bandits stopped me on the red road between Bolu and Geredé
when I was eighteen
apart from my life I didn't have anything in the wagon they could take
and at eighteen our lives are what we value least
I've written this somewhere before
wading through a dark muddy street I'm going to the shadow play
Ramazan night
a paper lantern leading the way
maybe nothing like this ever happened
maybe I read it somewhere an eight-year-old boy
going to the shadow play
Ramazan night in Istanbul holding his grandfather's hand
his grandfather has on a fez and is wearing the fur coat
with a sable collar over his robe
and there's a lantern in the servant's hand
and I can't contain myself for joy
flowers come to mind for some reason
poppies cactuses jonquils
in the jonquil garden in Kadikoy Istanbul I kissed Marika
fresh almonds on her breath
I was seventeen
my heart on a swing touched the sky
I didn't know I loved flowers
friends sent me three red carnations in prison
I just remembered the stars
I love them too
whether I'm floored watching them from below
or whether I'm flying at their side
I have some questions for the cosmonauts
were the stars much bigger
did they look like huge jewels on black velvet
or apricots on orange
did you feel proud to get closer to the stars
I saw color photos of the cosmos in Ogonek magazine now don't
be upset comrades but nonfigurative shall we say or abstract
well some of them looked just like such paintings which is to
say they were terribly figurative and concrete
my heart was in my mouth looking at them
they are our endless desire to grasp things
seeing them I could even think of death and not feel at all sad
I never knew I loved the cosmos
snow flashes in front of my eyes
both heavy wet steady snow and the dry whirling kind
I didn't know I liked snow
I never knew I loved the sun
even when setting cherry-red as now
in Istanbul too it sometimes sets in postcard colors
but you aren't about to paint it that way
I didn't know I loved the sea
except the Sea of Azov
or how much
I didn't know I loved clouds
whether I'm under or up above them
whether they look like giants or shaggy white beasts
moonlight the falsest the most languid the most petit-bourgeois
strikes me
I like it
I didn't know I liked rain
whether it falls like a fine net or splatters against the glass my
heart leaves me tangled up in a net or trapped inside a drop
and takes off for uncharted countries I didn't know I loved
rain but why did I suddenly discover all these passions sitting
by the window on the Prague-Berlin train
is it because I lit my sixth cigarette
one alone could kill me
is it because I'm half dead from thinking about someone back in Moscow
her hair straw-blond eyelashes blue
the train plunges on through the pitch-black night
I never knew I liked the night pitch-black
sparks fly from the engine
I didn't know I loved sparks
I didn't know I loved so many things and I had to wait until sixty
to find it out sitting by the window on the Prague-Berlin train
watching the world disappear as if on a journey of no return
April 1962, Moscow
Things I didn't know I loved
It's 1962 March 28th
I'm sitting by the window on the Prague-Berlin train
night is falling
I never knew I liked
night descending like a tired bird on a smoky wet plain
I don't like
comparing nightfall to a tired bird
I didn't know I loved the earth
can someone who hasn't worked the earth love it
I've never worked the earth
it must be my only Platonic love
and here I've loved rivers all this time
whether motionless like this they curl skirting the hills
European hills crowned with chateaus
or whether stretched out flat as far as the eye can see
I know you can't wash in the same river even once
I know the river will bring new lights you'll never see
I know we live slightly longer than a horse but not nearly as long as a crow
I know this has troubled people before
and will trouble those after me
I know all this has been said a thousand times before
and will be said after me
I didn't know I loved the sky
cloudy or clear
the blue vault Andrei studied on his back at Borodino
in prison I translated both volumes of War and Peace into Turkish
I hear voices
not from the blue vault but from the yard
the guards are beating someone again
I didn't know I loved trees
bare beeches near Moscow in Peredelkino
they come upon me in winter noble and modest
beeches are Russian the way poplars are Turkish
"the poplars of Izmir
losing their leaves. . .
they call me The Knife. . .
lover like a young tree. . .
I blow stately mansions sky-high"
in the Ilgaz woods in 1920 I tied an embroidered linen handkerchief
to a pine bough for luck
I never knew I loved roads
even the asphalt kind
Vera's behind the wheel we're driving from Moscow to the Crimea
Koktebele formerly "Goktepé ili" in Turkish
the two of us inside a closed box
the world flows past on both sides distant and mute
I was never so close to anyone in my life
bandits stopped me on the red road between Bolu and Geredé
when I was eighteen
apart from my life I didn't have anything in the wagon they could take
and at eighteen our lives are what we value least
I've written this somewhere before
wading through a dark muddy street I'm going to the shadow play
Ramazan night
a paper lantern leading the way
maybe nothing like this ever happened
maybe I read it somewhere an eight-year-old boy
going to the shadow play
Ramazan night in Istanbul holding his grandfather's hand
his grandfather has on a fez and is wearing the fur coat
with a sable collar over his robe
and there's a lantern in the servant's hand
and I can't contain myself for joy
flowers come to mind for some reason
poppies cactuses jonquils
in the jonquil garden in Kadikoy Istanbul I kissed Marika
fresh almonds on her breath
I was seventeen
my heart on a swing touched the sky
I didn't know I loved flowers
friends sent me three red carnations in prison
I just remembered the stars
I love them too
whether I'm floored watching them from below
or whether I'm flying at their side
I have some questions for the cosmonauts
were the stars much bigger
did they look like huge jewels on black velvet
or apricots on orange
did you feel proud to get closer to the stars
I saw color photos of the cosmos in Ogonek magazine now don't
be upset comrades but nonfigurative shall we say or abstract
well some of them looked just like such paintings which is to
say they were terribly figurative and concrete
my heart was in my mouth looking at them
they are our endless desire to grasp things
seeing them I could even think of death and not feel at all sad
I never knew I loved the cosmos
snow flashes in front of my eyes
both heavy wet steady snow and the dry whirling kind
I didn't know I liked snow
I never knew I loved the sun
even when setting cherry-red as now
in Istanbul too it sometimes sets in postcard colors
but you aren't about to paint it that way
I didn't know I loved the sea
except the Sea of Azov
or how much
I didn't know I loved clouds
whether I'm under or up above them
whether they look like giants or shaggy white beasts
moonlight the falsest the most languid the most petit-bourgeois
strikes me
I like it
I didn't know I liked rain
whether it falls like a fine net or splatters against the glass my
heart leaves me tangled up in a net or trapped inside a drop
and takes off for uncharted countries I didn't know I loved
rain but why did I suddenly discover all these passions sitting
by the window on the Prague-Berlin train
is it because I lit my sixth cigarette
one alone could kill me
is it because I'm half dead from thinking about someone back in Moscow
her hair straw-blond eyelashes blue
the train plunges on through the pitch-black night
I never knew I liked the night pitch-black
sparks fly from the engine
I didn't know I loved sparks
I didn't know I loved so many things and I had to wait until sixty
to find it out sitting by the window on the Prague-Berlin train
watching the world disappear as if on a journey of no return
April 1962, Moscow
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